The Widow's Broom

There's honestly not much for me to say about this book, except that it's super creepy and SUPER fun. A neglectful/forgetful witch lets her broom run out of juice and fall to the ground one night, and is taken in by a kindly widow who let's her recouperate from her fall in her home. The witch leaves in the middle of the night, however, leaving her supposedly dead and powerless broom behind. The widow soon discovers, though, that the broom is still more than capable of performing unique tasks like moving around on its own, gardening, and helping the widow take care of her home. When skeptical and angry neighbors become concerned about the broom's witchcraft and "devil's work," the widow has to take things into her own hands. It's a Chris van Allsburg book, so you know there's a nifty dose of surprise and spin to the ending as well.

This book would be a ton of fun for Halloween, but if you're looking for a deeper, more teacher-ey analysis then I would also say that it could work for a character study of the widow or a discussion of jumping to conclusions and assuming the worst.

Walking to School

This book is really interesting, mostly because it dives into a current story line that I'm ashamed to say I know very little about. Using the cultural war between the Catholics and the Protestants in Ireland, the issues of race, prejudice, and unfair assumptions are explored with a vehicle that's different from our somewhat typical go-tos of America's black versus white and Germany's Holocaust. Those examples are extremely powerful and necessary, but the truth is that these issues exist elsewhere as well. I love that this unique picture book gives teachers or parents the avenue to discuss them with a brief plot that opens many doors for discussion. What's also interesting - and realistic, I think - is that the young protagonist is able to see so clearly what the adults around her cannot: both sides of this feud see themselves as wholly pure and righteous in their actions but scrutinize every action of the other side as foul and deserving of punishment. It's just simply not the case, and even this young girl is able to see that as she listens and observes. This would be a great introduction to a unit to get conversations started with kids, and to perhaps introduce a world of other examples of prejudice from all over the world.

The Last Song

I need to be clear: for most of my life now, I've been a Nicholas Sparks snob. I love the movie The Notebook, but I have quietly made fun of the other movies, seeing them as cheesy and predictable. I loved the book A Walk to Remember when I read it in high school, but I told no one and never mentioned it again. I can't really say where this snobbery came from, but it's been there and I need to confess it. When I dropped a copy of The Last Song into my shopping cart after it first appeared, I was confused by my own actions. Aside from this being a Nicholas Sparks book, it's also starring Miley Cyrus: the book was written FOR the movie and therefore the protagonist's role was written FOR Miley. As much as I haven't been a Sparks fan, I'm much less of a Miley fan. So I still really don't understand how I own it. Even though I bought it, I didn't read it for...what? A year? A year and a half? I started it once and couldn't get past the annoying Miley voice in my head so I put it down. But for whatever reason, I picked it up a couple days ago, and....I loved it. And I have some apologizing to do.

To be fair to myself, I need to comment on the fact that Sparks reuses themes and plot devices quite often, and that some of his dialogue is cheesy and weak, and that the Epilogue was a little bit too Band-Aidey. But with those criticisms said, I really did enjoy this book a lot. I got hooked almost immediately this second time around, and I only got more hooked the more I read. The romance was sweet and snagged me instantly (if you've read any of my other posts you know that I'm such an easy sell for an attractive male character, despite my best efforts), and I appreciated the lack of sexual content SO much. There were two almost-scenes that didn't amount to anything, which was refreshing. Foul language was also basically nonexistent. (If I sound a little bit like a prude, it's just because I don't ever want to be accused of supporting/recommending/promoting books that a parent would be offended by for their middle school student, and any book that I can peacefully choose to leave on my classroom shelf rather than take off of it is a book I appreciate.) The story of Ronnie's (aka Miley's) relationship with her estranged father and annoying little brother is wonderful, full of heartwarming and heartbreaking goodness. Contrary to what I expected, I also found lots of surprising plot twists scattered throughout that kept me guessing and wondering how it would all play out. The fact that chapters rotate narrator also provides a great opportunity to discuss voice and perspective between characters.

So...I'm sorry. I'm sorry Nicholas Sparks, and I'm sorry unnamed friend of mine whose favorite author is Nicholas Sparks. I never should have laughed/scoffed/turned up my prideful nose at either of you. Or the rest of the Sparks-loving world. I was wrong.

Maus I: A Survivor's Tale

Like many of the books on my list, I've been waiting to read this book for a long time. After hearing about it in a class a couple of years ago, I put it on said list - and then soon after bought it - but haven't had an opportunity to read it until now. Also, I have so many books on this list that it's hard to choose sometimes. But all of that said, I knew I would love this book and I was not disappointed. Not only am I excited to add a graphic novel to my library, but I always appreciate a new perspective on World War II and on the Holocaust specifically. Maus I: A Survivor's Tale offers both of these. Gritty and painfully honest, Art Spiegelman's account of his father's experiences in Europe as a Jew during World War II and the rise of the Nazi Party takes place alongside Spiegelman's present-day relationship with his father. Both story lines captivate and endear the reader; you can't help but read for fear of what will happen to war-era Vladek but also for curiosity of what the next interaction between Art and current Vladek will look like. You sympathize with the characters - both in the past and in the present - and you become increasingly more horrified as the Nazis gain more control. One of the most interesting elements of this particular graphic novel, though, is the way Spiegelman chose to draw each of the characters. Jews are depicted as mice while the Germans/Nazis appear as cats. The image of these animals, who are timeless enemies, pitted as enemies in this real life piece of history will stick with struggling readers in an unforgettable way. I highly recommend this book for teachers of Language Arts and History who are trying to communicate the Holocaust from a unique perspective and a reader-friendly format. Stay tuned for my review of the sequel.

The Adoration of Jenna Fox

After becoming exceedingly frustrated with audiobooks in general and scratched ones specifically, I listened to the first half and read the second half of this book. Honestly, although it was really frustrating to have to switch up methods halfway through, it was kind of fun. The actress reading the audiobook did a great job and I believed her as Jenna, and when I switched to reading the hard copy I continued to hear her voice in my head reading. It added a nice touch. As far as the actual book goes, though, I mentioned a while ago during the whiny audiobook posts that I got quickly and easily hooked on this one, and it's so true. I stayed hooked until the audiobook wouldn't work and I had to switch to hard copy while I was in the middle of Matched. That caused problems because I have never been good at reading two books at once [see my "Currently Reading" tab where I have been listed as "reading" Forgotten God for the last four months. I'm averaging about a chapter every three weeks or so.] But once I finished Matched then I moved back to Jenna and remembered why I loved it to begin with.

Jenna, 17-year-old narrator and central character, has just woken up from a year-long coma. She doesn't remember anything at all before the coma but everyone keeps referencing an accident. With no memory, awkward social skills, and basic coordination only just returning to her limbs, Jenna moves into a new house in a new state with her mother and grandmother while her father remains in Boston. As the story progresses, she starts to notice strange things about herself and the world around her, as well as the pieces of information that her family seems determined to keep from her.

Seeing this story through Jenna's limited perspective creates an interesting situation for the reader. A good reader will most likely pick up on subtle details and things that are "off" quicker than Jenna does, but not so much that you figure things out. I won't tell you whether my robot predictions were accurate, but I will say that this futuristic setting is very different from those of other books I've read recently. I adore Hunger Games and I've just recently gushed about Matched, but I also shared that I saw a lot of commonalities between them - particularly their settings - and eventually attributed it to the genre. The Adoration of Jenna Fox, though, clearly takes place in the future, but America is very much the same. Science has taken over a great deal more than now, and there are references to a Second Great Depression and a major earthquake that haven't actually happened in our world, but the majority of American culture/geography/society is the same. Most of the differences take place in the world of science, where technology has allowed our norms to progress in some pretty advanced but believable ways. Extremely interesting debates surrounding science ethics are raised (which might give teachers a cool opportunity for a student debate in the classroom.) Once again, there's definitely a boy interest, and I definitely like him. Last week I realized my weakness for fictional male characters, and this one had a similar affect. It also doesn't help that he's a "bad boy," which I apprently prefer as a trait in my fictional crushes. (Although if that's true...then why do I love Peeta so much more than I love Gale? Hmm. I'm going to have to think about this. That, and why I relate everything I read back to The Hunger Games.)